<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0253-9276</journal-id>
<journal-title><![CDATA[Universidad de La Habana]]></journal-title>
<abbrev-journal-title><![CDATA[UH]]></abbrev-journal-title>
<issn>0253-9276</issn>
<publisher>
<publisher-name><![CDATA[Dirección de Publicaciones Académicas de la Universidad de La Habana (Editorial UH) ]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0253-92762019000200322</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[José Gómez Sicre y el arte moderno en Cuba]]></article-title>
<article-title xml:lang="en"><![CDATA[José Gómez Sicre and modern art in Cuba]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Merino]]></surname>
<given-names><![CDATA[Luz]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de La Habana  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Cuba</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2019</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2019</year>
</pub-date>
<numero>288</numero>
<fpage>322</fpage>
<lpage>344</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.sld.cu/scielo.php?script=sci_arttext&amp;pid=S0253-92762019000200322&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.sld.cu/scielo.php?script=sci_abstract&amp;pid=S0253-92762019000200322&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.sld.cu/scielo.php?script=sci_pdf&amp;pid=S0253-92762019000200322&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Es un acto de justicia en un ámbito en el cual los estudios de historia del arte hoy miran a la curaduría, acercarnos aunque sea de manera somera, a una figura que aún tiene un perfil muy bajo en la historiografía del arte cubano y es José Gómez Sicre (1916-1991), quien desplegó una dinámica labor, en la cual aunó al curador, al crítico de arte, al marchand y al gestor. Su proyección desde el Museo de las América lo convirtió en una figura de perfil más internacional y es posiblemente lo más conocido; en este acercamiento privilegiamos sus años cubanos.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract It is an act of justice in which the field of Art History studies looks to curatorship to approach even if briefly towards a leading figure that nowadays still has a very low profile in the historiography of Cuban art. He is José Gómez Sicre (1916-1991), who displayed a dynamic work, in which he joined the curator, the art critic, the dealer and the manager. His projection from the Museum of the Americas made him a more international profile figure and it is possibly the best known part of his work. With this approach we privilege his Cuban years.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[curaduría]]></kwd>
<kwd lng="es"><![CDATA[crítica de arte]]></kwd>
<kwd lng="es"><![CDATA[promotor]]></kwd>
<kwd lng="en"><![CDATA[curatorship]]></kwd>
<kwd lng="en"><![CDATA[art critic]]></kwd>
<kwd lng="en"><![CDATA[promoter]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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</article>
