<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2218-3620</journal-id>
<journal-title><![CDATA[Revista Universidad y Sociedad]]></journal-title>
<abbrev-journal-title><![CDATA[Universidad y Sociedad]]></abbrev-journal-title>
<issn>2218-3620</issn>
<publisher>
<publisher-name><![CDATA[Editorial "Universo Sur"]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2218-36202020000400207</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[Individual artistically performing form as the contemporary European sociocultural phenomenon]]></article-title>
<article-title xml:lang="es"><![CDATA[Forma individual de desempeño artístico como el fenómeno sociocultural europeo contemporáneo]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Hromchenko]]></surname>
<given-names><![CDATA[Valerii]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Dnipropetrovsk Music Academy after Mikhail Glinka  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Russian Federation</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>08</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>08</month>
<year>2020</year>
</pub-date>
<volume>12</volume>
<numero>4</numero>
<fpage>207</fpage>
<lpage>212</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.sld.cu/scielo.php?script=sci_arttext&amp;pid=S2218-36202020000400207&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.sld.cu/scielo.php?script=sci_abstract&amp;pid=S2218-36202020000400207&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.sld.cu/scielo.php?script=sci_pdf&amp;pid=S2218-36202020000400207&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT The purpose of this scientific article is discovering from the contemporary European culture the most brilliant examples of compositions which were written in the artistically performing form solo, with delineating their maximally characteristic traits for interaction of society and culture. The round of methods concerning represented scientific investigative is postulated by series of empirical approaches, a namely observation and generalization. The newness of this scientific article is stipulated by studying of artistic works, which were created in artistically performing form solo, with detecting their sociocultural significance. First, the sociocultural, artistically total scientifically investigative observation of academic compositions solo into different types of contemporary European art, exactly music, theater and choreography, are represented by author in this research. The masterpieces in artistically performing form solo are disclosing a deeply individual world of creator-soloist, which is making from natural social factor regarding interaction of personality with environment. Performer-soloist enters of audience into him own unique artistically spirit world, affirms brightly expressed societal criterion of creation, produces general comprehension of artistic imagination as well as definite ideological content, which were naturally born by stage-single act creativity.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN El propósito de este artículo científico es descubrir de la cultura europea contemporánea los ejemplos más brillantes de composiciones que fueron escritas en forma artística en solitario, con la delineación de sus rasgos máximos característicos para la interacción de la sociedad y la cultura. La ronda de métodos relacionados con la investigación científica representada se postula mediante una serie de enfoques empíricos, a saber, observación y generalización. La novedad de este artículo científico se estipula mediante el estudio de obras artísticas, que se crearon en forma artística en solitario, con la detección de su sociocultural significado. Primero, la observación sociocultural, artísticamente científica y de investigación científica de composiciones académicas en solitario sobre diferentes tipos de arte contemporáneo europeo, exactamente música, teatro y coreografía, está representada por el autor en esta investigación. Las obras maestras en la ejecución artística en solitario están revelando un mundo profundamente individual de creador-solista, que se basa en un factor social natural con respecto a la interacción de la personalidad con el entorno. El intérprete-solista ingresa a la audiencia en su propio y único mundo artístico artístico, afirma un criterio social de creación brillantemente expresado, produce una comprensión general de la imaginación artística, así como un contenido ideológico definido, que naturalmente nació de la creatividad de un solo acto escénico.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[Composition]]></kwd>
<kwd lng="en"><![CDATA[sociocultural phenomenon]]></kwd>
<kwd lng="en"><![CDATA[performer]]></kwd>
<kwd lng="en"><![CDATA[solo]]></kwd>
<kwd lng="en"><![CDATA[stage-single creativity]]></kwd>
<kwd lng="es"><![CDATA[Composición]]></kwd>
<kwd lng="es"><![CDATA[fenómeno sociocultural]]></kwd>
<kwd lng="es"><![CDATA[intérprete]]></kwd>
<kwd lng="es"><![CDATA[solista]]></kwd>
<kwd lng="es"><![CDATA[creatividad escénica]]></kwd>
</kwd-group>
</article-meta>
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