<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2218-3620</journal-id>
<journal-title><![CDATA[Revista Universidad y Sociedad]]></journal-title>
<abbrev-journal-title><![CDATA[Universidad y Sociedad]]></abbrev-journal-title>
<issn>2218-3620</issn>
<publisher>
<publisher-name><![CDATA[Editorial "Universo Sur"]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2218-36202022000100446</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[Mythical perception of nature and the function of symbols: principles of mythical logic and ways of formation of natural symbols]]></article-title>
<article-title xml:lang="es"><![CDATA[Percepción mítica de la naturaleza y función de los símbolos: principios de la lógica mítica y las maneras de formación de los símbolos naturales]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Gul Bayram]]></surname>
<given-names><![CDATA[Atraba]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Baku Engineering University  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Azerbaijan</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>02</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>02</month>
<year>2022</year>
</pub-date>
<volume>14</volume>
<numero>1</numero>
<fpage>446</fpage>
<lpage>454</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.sld.cu/scielo.php?script=sci_arttext&amp;pid=S2218-36202022000100446&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.sld.cu/scielo.php?script=sci_abstract&amp;pid=S2218-36202022000100446&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.sld.cu/scielo.php?script=sci_pdf&amp;pid=S2218-36202022000100446&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT As is known, symbols are essentially a multidisciplinary concept, a category that can be the object and subject of research in various fields of science. Along with the origin of the world, animals, plants and humans, myths also symbolically interpreted all the events that took place before the current state of humanity. It is the similarity of the symbolic language that ensures the similarity of the myths formed in different parts of time and space. How to determine the place and position of symbols in the formation of artistic thought, which is deeply connected with mythical thought, is necessary to understand what myth is. Then, the objective of this work is to analyze the symbolic principles in the mythical understanding of nature. In this article, the symbolization mechanism of nature is considered as an event with deep, philosophical, aesthetic and mythical content. It is based on the fact that the symbolization of nature through archetypes begins with mythical logic, and in the cult of nature, rational, irrational, and emotional behaviors are combined to constitute a complex content. It was found that although myths are a source for the interpretation of artistic symbols, symbolic thought has also played a role in the creation of the myth itself, which is why the study of myth and the appeal to myth has always maintained its relevance.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN Como es sabido, los símbolos son esencialmente un concepto multidisciplinar, una categoría que puede ser objeto y sujeto de investigación en diversos campos de la ciencia. Junto con el origen del mundo, los animales, las plantas y los humanos, los mitos también interpretaron simbólicamente todos los eventos que tuvieron lugar antes del estado actual de la humanidad. Es la similitud del lenguaje simbólico lo que asegura la similitud de los mitos formados en diferentes partes del tiempo y el espacio. La forma de determinar el lugar y la posición de los símbolos en la formación del pensamiento artístico, que está profundamente conectado con el pensamiento mítico, es necesaria para comprender que es el mito. Luego, el objetivo de este trabajo es analizar los principios simbólicos en la comprensión mítica de la naturaleza. En este artículo, el mecanismo de simbolización de la naturaleza es considerado como un evento de contenido profundo, filosófico, estético y mítico. Se parte de que la simbolización de la naturaleza a través de arquetipos comienza con la lógica mítica, y en el culto a la naturaleza se combinan comportamientos racionales, irracionales, y emocionales para constituir un contenido complejo. Se pudo comprobar que aunque los mitos son una fuente para la interpretación de los símbolos artísticos, también el pensamiento simbólico ha jugado un papel en la creación del mito mismo, por lo que el estudio del mito y la apelación al mito siempre ha mantenido su relevancia.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[Symbols]]></kwd>
<kwd lng="en"><![CDATA[myth]]></kwd>
<kwd lng="en"><![CDATA[nature]]></kwd>
<kwd lng="es"><![CDATA[Símbolos]]></kwd>
<kwd lng="es"><![CDATA[mito]]></kwd>
<kwd lng="es"><![CDATA[naturaleza.]]></kwd>
</kwd-group>
</article-meta>
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