<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2218-3620</journal-id>
<journal-title><![CDATA[Revista Universidad y Sociedad]]></journal-title>
<abbrev-journal-title><![CDATA[Universidad y Sociedad]]></abbrev-journal-title>
<issn>2218-3620</issn>
<publisher>
<publisher-name><![CDATA[Editorial "Universo Sur"]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2218-36202024000100465</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[Issues of the use of folklore trad&#305;t&#305;ons &#305;n the style of turk&#305;sh ep&#305;c thought &#305;n n&#305;zam&#305; ganjavi's creat&#305;v&#305;ty]]></article-title>
<article-title xml:lang="es"><![CDATA[Cuest&#305;ones del uso de las trad&#305;c&#305;ones folclore al est&#305;lo del pensam&#305;ento ép&#305;co turco en la creat&#305;v&#305;dad de n&#305;zam&#305; ganjav&#305;]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Bakhshiyeva]]></surname>
<given-names><![CDATA[Ulkar Elman gizi]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Azerbaijan State Pedagogical University  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Azerbaijan</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>02</month>
<year>2024</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>02</month>
<year>2024</year>
</pub-date>
<volume>16</volume>
<numero>1</numero>
<fpage>465</fpage>
<lpage>473</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.sld.cu/scielo.php?script=sci_arttext&amp;pid=S2218-36202024000100465&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.sld.cu/scielo.php?script=sci_abstract&amp;pid=S2218-36202024000100465&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.sld.cu/scielo.php?script=sci_pdf&amp;pid=S2218-36202024000100465&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT In the 12th century, Nizami Ganjavi's revolutionary work transformed poetic standards of the time by introducing unprecedented humanitarian themes into Eastern literature. His work, "Khamsa," blends Turkish folk traditions and popular epics, incorporating elements from diverse cultures. The article analyzes the use of these traditions in Turkish epic thought, focusing on the comparison between "Khamsa" and Ferdowsi's "Shahnameh." It is noteworthy that Nizami, in distinguishing his heroes from Ferdowsi's, recreates characters like Khosrov and Bahram with new philosophical and artistic ideas. While inspired by "Shahnameh," Nizami's approach is unique, not merely a tribute but a conceptual reinterpretation. While "Shahnameh" emphasizes the Iranian and non-Iranian division, "Khamsa" centers on the dichotomy of Good and Evil from the perspective of nations and peoples. Unlike Ferdowsi, Nizami avoids humiliating other nations and instead emphasizes values such as humanism, philanthropy, and justice, characteristic of Turkish folk tradition. His work not only eliminates the hatred promoted by Ferdowsi in literature but also contributes to the global literary treasure, offering images that illuminate the path toward an inclusive future. Thus, Nizami emerges as a healer of the Turkish national-ethnic identity, uplifting his people without disparaging others, and leaving a lasting humanitarian legacy in Eastern and world literature.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN En el siglo XII, la obra revolucionaria de Nizami Ganjavi transformó los estándares poéticos de la época al introducir temas humanitarios sin precedentes en la literatura oriental. Su obra, "Khamsa", combina tradiciones populares turcas y epopeyas populares, incorporando elementos de diversas culturas. El artículo analiza el uso de estas tradiciones en el pensamiento épico turco, centrándose en la comparación entre "Khamsa" y "Shahnameh" de Ferdowsi. Es de destacar que Nizami, al distinguir a sus héroes de los de Ferdowsi, recrea personajes como Khosrov y Bahram con nuevas ideas filosóficas y artísticas. Si bien está inspirado en "Shahnameh", el enfoque de Nizami es único, no es simplemente un tributo sino una reinterpretación conceptual. Mientras que "Shahnameh" enfatiza la división iraní y no iraní, "Khamsa" se centra en la dicotomía entre el bien y el mal desde la perspectiva de las naciones y los pueblos. A diferencia de Ferdowsi, Nizami evita humillar a otras naciones y en cambio enfatiza valores como el humanismo, la filantropía y la justicia, característicos de la tradición popular turca. Su obra no sólo elimina el odio promovido por Ferdowsi en la literatura sino que también contribuye al tesoro literario global, ofreciendo imágenes que iluminan el camino hacia un futuro inclusivo. Así, Nizami emerge como un sanador de la identidad nacional-étnica turca, elevando a su pueblo sin menospreciar a los demás y dejando un legado humanitario duradero en la literatura oriental y mundial.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[Ganjavi]]></kwd>
<kwd lng="en"><![CDATA[Turkish]]></kwd>
<kwd lng="en"><![CDATA[Folklore]]></kwd>
<kwd lng="en"><![CDATA[Epic]]></kwd>
<kwd lng="en"><![CDATA[Thought]]></kwd>
<kwd lng="es"><![CDATA[Nizami Ganjavi]]></kwd>
<kwd lng="es"><![CDATA[Turco]]></kwd>
<kwd lng="es"><![CDATA[Folklore]]></kwd>
<kwd lng="es"><![CDATA[Épica]]></kwd>
<kwd lng="es"><![CDATA[Pensamiento]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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